Playing and editing Programs
50
FilterTypesandCutoffFrequency
Resonance
Resonanceemphasizesthefrequenciesaroundthe
cutofffrequency,asshowninthediagrambelow.
Whenthisissetto0,thereisnoemphasis,and
frequenciesbeyondthecutoffwillsimplydiminish
smoothly.
Atmediumsettings,theresonancewillalterthetimbre
ofthefilter,makingitsoundmorenasal,ormore
extreme.Atver
yhighsettings,theresonancecanbe
heardasaseparate,whistlingpitch.
Tomaketheresonancetrackthekeyboardpitch,see
“KeyFollow,”onpage 74oftheParameterGuide.
Modulating the filters
Youcanmodulatethefiltercutofffrequencyusingthe
FilterEG,theLFOs,keyboardtracking,andother
built‐inandMIDIcontrollers.Thisisagreatwayto
addarichvarietyoftonalchangetothesound.
Filter EG
TheFilterEGisamulti‐stageenvelope,whichyoucan
usetomodulatethefilter(naturally!)aswellasother
Programparameters.TheEGitselfissetuponthe
FilterEGtab;thewaythatitaffectsthefiltersis
controlledbytheparametersdescribedbelow,onthe
FilterMo
dtab:
TheIntensitytoAandIntensitytoBsett
ingscontrol
thebasicamountofEGmodulationforfilter
frequenciesAandB,respectively,beforeother
modulation.
TheVelocitytoAandVelocitytoBsettingsletyouuse
velocitytoscaletheamountofEGmodulation.
TheAMSsettingselectsaAM
Smodu
lationsourceto
scaletheamountoftheFilterEGappliedtoFiltersA
andB.ThetwofiltersshareasingleAMSsource,with
separateintensitysettings.
LFO modulation
YoucanmodulatethefilterviaLFO1,LFO2,andthe
CommonLFO.Amongotherapplications,LFO
modulationofthefiltercanproducetheclassic“auto‐
wah”effect.
TheFilterLFOModtabletsyousetupthefollowing
parametersseparatelyforeachLFO:
IntensitytoAandIntensitytoBspecifyhowmuc
h
theLFOchangesthetone.
JS‐YIntensitytoAandJS‐YIntensitytoBspecifythe
depthofthewaheffectproducedbytheLFOwhenthe
joystickismovedtowardyourself,orwhenCC#2is
received.
Low Pass
High Pass
Band Pass
Band Reject
Cutoff Frequency
Low resonance
igh resonance