Yamaha CS1D - Page 554

Preset Dynamics Program Settings
9
28 Solo Vocal1 [COMP] Variations suitable for solo vocal sources.
29 Solo Vocal2 [COMP]
30 Chorus [COMP] An adaptation of Vocal, suitable for choruses.
31 Click Erase [EXPANDER] Use this as a gate if the click tone that the musicians listen to is loud and you wish to
eliminate it.
32 Announcer [COMPANDER H] This uses the voice of an announcer to lower the level of the gate, and also
maintains a consistent volume for the announcer’s voice.
24 SamplingPerc [COMPANDER S]
25 Sampling BD [COMP]
26 Sampling SN [COMP]
27 Hip Comp [COMPANDER S]
Effective when used on sampled sounds from CD-ROM etc. are used in a
context of acoustic sounds, to prevent the sampled sounds from seeming
to lack in power or definition. Four variations are provided: Perc, BD, SN,
and for looped materials (Hip Comp).
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
24 –18 1.7 — 8m –2.5 — 18 238m — —
25 –14 2 — 2m 3.5 SOFT 4 — 35m — —
26 –18 4 — 8m 8.0 HARD — 354m — —
27 –23 20 — 15m 0.0 — 15 163m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
28 –20 2.5 — 31m 2.0 SOFT 1 — 342m — —
29 –8 2.5 — 26m 1.5 SOFT 3 — 331m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
30 –9 1.7 — 39m 2.5 SOFT 2 — 226m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
31 –33 2 — 1m 2.0 SOFT 2 — 284m — —
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
32 –14 2.5 — 1m –2.5 — 18 180m — —
33 Limiter1 [COMPANDER S]
34 Limiter2 [COMP]
Limiter templates. 1 has a slow release, and 2 is a Peak Stop type.
No.
THRESHOLD
(dB)
RATIO
( :1)
RANGE
(dB)
ATTAC K
(s)
OUT GAIN
(dB)
KNEE
WIDTH
(dB)
RELEASE
(s)
HOLD
(s)
DECAY
(s)
33 –9 3 — 20m –3.0 — 90 3.90m — —
34 0 ∞ —0m0.0 HARD — 319m — —