189
023: Phaser
(Stereo Phaser)
This effect creates a swell by shift
ing the phase. It is
very effective on electric piano sounds. You can add
spread tothesoundby offsetting the phaseofthe left
andrightLFOsfromeachother.
g: Resonance, h: Wet/Dry
The peak shape of the positive and negative Feedback value
is different. The harmonics will be emphasized when the
effect sound is mixed with the dry sound, if you set a positive
value for both “Resonance” and “Wet/Dry”, and if you set a
negative value for both “Resonance” and “Wet/Dry”.
g: High Damp [%]
This parameter sets the amount of dampi
ng of the resonance
in the hi
gh range. Increasing the value will cut high-range har-
monics.
024: RandomPhser
(Stereo Random Phaser)
This is a stereo phaser. The effect uses a step
‐shape
waveformandrandomLFOformodulation,creatinga
uniquephasingeffect.
a
LFO Waveform
Selects LFO Waveform
Triangle, Sine
LFO Shape –100...+100
Determines how much the LFO waveform is changed Fx:020
b
LFO Phase [degree] –180...+180
Sets the LFO phase difference between the left and right Fx:010
c
LFO Frequency [Hz] 0.02...20.00Hz
Sets the LFO speed Fx:009,
Src
Selects the modulation source of LFO speed
Off...Tempo
Amt –20.00...+20.00Hz
Sets the modulation amount of LFO speed
d
BPM/MIDI Sync Off, On
Switches between using the frequency of the LFO speed and using the
te
mpo and notes Fx:009,
BPM MIDI, 40...240
Se
lects MIDI Clock and assigns tempo Fx:009
Base Note
Selects the type of notes that specify the LFO speed Fx:009
Times x1...x16
Sets the number of notes that specify the LFO speed Fx:009
e
Manual
Sets the frequency to which the effect is applied
0...100
f
Depth
Sets the depth of LFO modulation
0...100
Src Off...Tempo
Selects the modulation source for the LFO modulation depth
Amt –100...+100
Sets the modulation amount of the LFO modulation depth
g
Resonance
Sets the resonance amount
–100...+100
High Damp [%] 0...100%
Sets the resonance damping amount in the high range
h
Wet/Dry –Wet...–1:99, Dry, 1:99...Wet
Ta bl e , “Sets the balance between the effect and dry sounds,” on page 175
Fx:010,
Src Off...Tempo
Ta bl e , “Selects the modulation source of the effect balance,” on page 175
Amt
Ta bl e , “Sets the modulation amount of the effect bal-
ance,” on page 175
–100...+100
Left
Right
Resonance
LFO Shape
LFO Phase
LFO: Tri / Sine
Wet / Dry
Wet / Dry
High Damp
Stereo In - Stereo Out
Phaser
Phaser
a
LFO Waveform Step-Tri, Step-Sin, Random
Selects LFO Waveform Fx:010
b
LFO Phase [degree] –180...+180
Sets the LFO phase difference between the left and right Fx:010
c
LFO Frequency [Hz] 0.02...20.00Hz
Sets the LFO speed Fx:010,
Src Off...Tempo
Selects the modulation source commonly used for LFO speed and step
s
peed
Amt –20.00...+20.00Hz
Set
s the modulation amount of LFO speed
d
LFO Step Freq (Frequency) [Hz] 0.05...50.00Hz
Sets the LFO step speed Fx:010,
Amt –50.00...+50.00Hz
Sets the modulation amount of LFO step speed
e
BPM/MIDI Sync Off, On
Switches between using the frequency of the LFO speed and using the
t
empo and notes Fx:009,
BPM
Selects MIDI Clock and assigns tempo
MIDI, 40...240
Fx:009, 010
Base Note
Selects the type of notes that specify the LFO speed Fx:009
Times x1...x16
Sets the number of notes that specify the LFO speed Fx:009
f
Step Base Note
Selects the type of notes to specify the LFO step speed
Fx:010,
Times x1...x32
Sets the number of notes to specify the LFO step speed Fx:010
g
Manual
Sets the frequency to which the effect is applied
0...100
h
Depth
Sets the depth of LFO modulation
0...100
i
Resonance
Sets the resonance amount
–100...+100
Fx:023
High Damp [%] 0...100%
Sets the resonance damping amount in the high range Fx:023
j
Wet/Dry –Wet...–1:99, Dry, 1:99...Wet
Table , “Sets the balance between the effect and dry sounds,” on page 175
Fx:010, 023,
Src Off...Tempo
Table , “Selects the modulation source of the effect balance,” on page 175
Amt
Table , “Sets the modulation amount of the effect bal-
ance,” on page 175
–100...+100
LFO: Step-Tri/Random
Left
Right
Resonance
LFO Phase
Wet / Dry
Wet / Dry
High Damp
Stereo In - Stereo Out
Phaser
Phaser
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