Global mode
362
Send1 [000...127]
Send2 [000...127]
These adjust the levels at which the external audio input
signal is sent to the master effects.
Send1: Send the signal to master effect 1.
Send2: Send the signal to master effect 2.
This setting is ignored if Bus Select is other than L/R or Off.
If Bus Select is set to IFX1–5, the send levels to the master
effects are set by the post-IFX1–5 Send1 and Send2 (Prog/
Combi 0–7a, Seq 0–1–7a).
0–3b: Output
L/R Bus Indiv. Assign (Assign to L/R and
Indiv.Out) [Off, 1/2, 3/4]
This lets you simultaneously send the L/R output to any
pair of individual outputs, in addition to L/R.
Off: The L/R output will be sent only to the AUDIO
OUTPUT L (MONO) and R jacks, the HEADPHONE jack,
and the S/P DIF OUT jack. This is the normal setting.
1/2, 3/4: The L/R output will be sent to the corresponding
pair of INDIVIDUAL OUT 1–4 jacks, as well as to the main
L/R outputs, the HEADPHONE jack, and the S/P DIF OUT
jack.
Private monitoring
On stage, or in the studio, it can be convenient to audition
sounds or make edits without sending the signal to the
mixer, or to the main monitors. You can use L/R Bus Indiv.
Assign to do this:
1. Connect Individual Outputs 1/2 to the mixer or main
monitors. Do not connect the main L/R outputs.
You can actually use any of the two individual output pairs,
but we’ll talk about 1/2 in this example.
2. While you’re auditioning sounds or editing, set L/R
Bus Indiv. Assign to Off.
3. Use the built-in headphone output for listening to M3
as you select or edit sounds.
As an alternative, you can connect the main L/R outputs to
your personal monitor mixer.
4. When you’re ready for others to hear the results, set L/R
Bus Indiv. Assign to 1/2.
Now, the M3 stereo mix will go to the main board.
▼0–3: Menu Command
• 0: Write Global Setting ☞p.382
• 1: Load Preload/Demo Data ☞p.382
• 2: Set Prog User-Bank Type ☞p.382
• 3: Change all bank references ☞p.383
• 4: Touch Panel Calibration ☞p.383
• 5: Half Damper Calibration ☞p.383
• 6: Pad Calibration ☞p.383
• 7: After Touch Calibration ☞p.383
• 8: Update System Software ☞p.384
For more information, please see “Global: Menu Command”
on page 382.
LR
Individual BUS
1 2 3 4
Post-TFX
L
(MONO)
L/R BUS Indiv.
Assign = 1/2
R
1
2
3
4
(INDIVIDUAL)
(MAIN)
AUDIO OUTPUT
(MAIN)
R L
(INDIV.)
2 1
INPUT
OUTPUT
Sub Monitor
Power Amplifier
Power Amplifier
00
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
7
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
8
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
9
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
10
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
11
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
12
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
13
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
14
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
15
MUTE
ALT 3/4
OL
+20
U
00
U
AUX
1
00
+15
MON
U
2
00
+15
U
3
00
+15
U
4
00
+15
5
6
5/6
SHIFT
0
-15
+15
HI
0
-12
+12
MID
0
-15
+15
LO
EQ
0
L
R
PAN
SOLO
16
MUTE
ALT 3/4
OL
+20
U
00
U
1
00
+15
C
1
C
2
C
3
LR
C
4
L
R
U
2
00
+15
U
3
00
+15
U
4
00
+15
LR
LR
STEREO AUX RETUNES
BALANCE
MONO
AUX
SOLO
1
2
3
4
LEVEL
16 CHANNEL MIC/LINE MIXER
CR1604
ALT PREVIEW
MAIN OUTPUT
MUTE
SOLO
TO
MAIN
POWER
SOLO
LEVEL
CLIP
+8
+4
+2
0
-4
-8
-12
-16
-20
LEVEL
SOLO/PHONES
1/LEFT
2/RIGHT
+10
LINE IN 7-8
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 9-10
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 11-12
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
LINE IN 13-14
L
R
BAL
OR
UNBAL
MONO
+4
-10
LEVEL
STEREO AUX RETURNS
1
2
1
2
AUX SEND
LEFT(1/MONO)
RIGHT
ALL BAL/UNBAL
L
R
TAPE
INPUT
TAPE
OUTPUT
MAIN OUTS
L
R
BAL/UNBAL
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N
MIC
BAL
OR
UNBAL
LINE IN 6
LOW CUT
75Hz
18dB/OCT
TRIM
+10dB
-40dB
10
60
U
-
1
0
d
B
V
M
I
C
G
A
I
N