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7. In the Source Category field, select the source you want to use for your
bounced track(s) from the following options:
• Tracks—choosing this option creates new separate tracks for each track
you highlight in the Source Buses/Tracks field. Each track you highlight
will produce a new mono track, stereo track, or two new mono tracks (the
Split Mono option), depending on what you choose in the Channel Format
field.
• Buses—choosing this option creates new separate tracks for each bus you
highlight in the Source Buses/Tracks field. Each bus you highlight will
produce a new mono track, stereo track, or two to eight new mono tracks
(the Split Mono option), depending on whether the bus is a stereo or
surround bus, and depending on what you choose in the Channel Format
field.
• Main Outputs—choosing this option creates new separate tracks for each
main output you highlight in the Source Buses/Tracks field. Each main
output you highlight will produce a new mono track, stereo track, or two
to eight new mono tracks (the Split Mono option), depending on whether
the output is a stereo output or the Surround Main, and depending on
what you choose in the Channel Format field.
• Entire Mix—choosing this option bounces your entire mix down to a new
mono track, stereo track, or two to eight new mono tracks (the Split Mono
option), depending on whether the output is a stereo output or the
Surround Main, and depending on what you choose in the Channel
Format field.
8. Select a channel format: the kind of track(s) you want to create with your
bounce.
9. Select source buses or tracks.
10. In the Mix Enables field, choose the elements you want to include in the
mixdown. If you want to exclude muted tracks and/or include only soloed
tracks, make sure Track Mute/Solo is checked. Make sure Fast Bounce is
checked, otherwise the bounce process will take as long as it takes to play your
selected track data in real time.
Note: If you have patched a DXi (plug-in synth) into a track or bus, make sure
you check Track FX to include DXi’s that are patched into tracks, and check
Bus FX to include DXi’s that are patched into buses.
Note: If you don’t check Track Automation, any initial volume and pan
settings in an exported track are ignored and the track’s audio data will be
exported at the level that exists in the track, with pan set to center. If you
don’t check Clip Automation, any trim settings are ignored during export.
11. If you want to save your settings as a preset, type a name for them in the
Preset window, and then click the floppy disk icon that’s next to the Preset
window.
12. Click OK.
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