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10. In the Channel Format field, select one of the following options:
• Stereo—All exported tracks and clips are mixed down to a stereo file or
files.
• Mono—All exported tracks and clips are mixed down to a mono file or
files.
• Split Mono—All exported tracks and clips are mixed down to separate
mono files.
• Multichannel—All exported tracks are mixed down to a multichannel
wave file or files.
11. Choose the sample rate that you want your exported file to be.
12. Select the bit depth that you want the exported file to use. If your source file is
16 and you export to 24, you get more precision for any audio effects in the mix
(and a larger file). If your source file is 24 and you export to 16, you lose some
sound definition, but you get some of it back if the Dithering option is on in the
Audio Options dialog box (see “Dithering” on page 468 for more information).
13. In the Mix Enables field, choose the elements you want to include in the
mixdown. If you want to exclude muted tracks and/or include only soloed
tracks, make sure Track Mute/Solo is checked.
Note: If you have patched a DXi (plug-in synth) into a track or bus, make sure
you check Track FX to include DXi’s that are patched into tracks, and check
Bus Returns to include DXi’s that are patched into buses.
Note: If you don’t check Track Automation. any initial volume and pan
settings in an exported track are ignored and the track’s audio data will be
exported at the level that exists in the track, with pan set to center. If you
don’t check Clip Automation, any trim settings are ignored during export. If
you don’t check Master Automation, any volume and balance settings at the
main outs are ignored.
14. If you want to save the settings you created in the Export Audio dialog, type a
name for them in the Preset window and then click the floppy disk icon that’s
next to the window.
15. Click Export.
The audio is exported to the Wave file or files.
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