Effect Guide
234
Tube1 Bias
This expresses the effect that changes in vacuum tube bias have on
the distortion of the waveform. Higher settings of this value will
produce distortion even at low gain levels. Since this will also
change the overtone structure, you can use it to control the tonal
character.
Tube1 Phase
With the Wet Invert setting, the phase of the signal will be inverted
between stage 1 and stage 2. Since “Bias” is applied to the inverted
signal in stage 2, this will change the tonal character.
027: St.TubePreAmp
(Stereo Tube
PreAmp Modeling)
This is a stereo vacuum tube preamp simulator (See “026: Tube
PreAmp Model (Tube PreAmp Modeling)” on page 233.).
028: Mic Model+PreAmp (Mic
Modeling + PreAmp)
This effect simulates a mic and vacuum tube preamp. You can
choose from various types of mic and positions to create differing
sonic characters.
Mic Position
This expresses the effect that the mic position has on the sound.
The Close setting is the closest mic position, and the Far setting is
the farthest.
029: Stereo Phaser
This effect creates a swell by shifting the phase. It is very effective
on electric piano sounds. You can add spread to the sound by
offsetting the phase of the left and right LFOs from each other.
Paramter Value Explanation
Mic Mic Type
Vintage
Dynamic,
Multi
Condenser,
Perc Condenser,
Drums Dynamic,
Vocal Dynamic,
Multi Dynamic,
Vocal
Condenser,
Vocal Tube,
Kick Dynamic
Selects the type of
mic
Position Mic Position
Close, On,
Off, Far
Sets the mic
placement distance
p.234
In
Out
Satulation = 50
Bias = 0
Bias = 50
Bias = 100
Mic/Pre Amp - Bias
Left
Right
Wet / Dry
Output Level
Wet / Dry
Stereo In - Stereo Out
Tube Pre Amp1 Tube Pre Amp2
Tube Pre Amp1 Tube Pre Amp2
Left
Right
Wet / Dry
Wet / Dry
–
+
–
+
Invert
+
Tube Pre AmpMic Simulation
Left
Right
Wet / Dry
Output Level
Wet / Dry
Wet: Mono In - Mono Out / Dry: Stereo In - Stereo Out
T LCut[Hz]
Tube
Low Cut [Hz]
Thru,
21...8.00k
Sets the frequency of
the low cut filter
T HCut[Hz]
Tube
High Cut
[Hz]
53...20.00k,
Thru
Sets the frequency of
the high cut filter
T Gain[Hz]
Tube
Gain [dB]
–24.0...+24.0
Sets the input gain to
the vacuum tube
preamp
T Saturate
Tube
Saturation
[%]
0...100
Sets the input/output
response of the
preamp p.233
T Bias Tube Bias 0...100
Sets the bias level of
the preamp p.234
T Out[dB]
Tube Output
Level [dB]
–48.0...+0.0
Sets the output level
of the preamp
Wet/Dry ←
Dry, 1 : 99...
99 : 1, Wet
Sets the balance
between the effect
and the dry input
Src Source Off...Tempo
Selects a modulation
source for Wet/Dry
Amt Amount –100...+100
Sets the modulation
amount for Wet/Dry
Paramter Value Explanation
LFO
LFO
Waveform
Tri (Triangle),
Sine
Selects the LFO
Waveform
Shape LFO Shape –100...+100
Changes the
curvature of the LFO
Waveform p.224
Phase Phase [deg] –180...+180
Sets the LFO phase
difference between the
left and right p.226
LFO [Hz]
LFO Freq
[Hz]
0.02...20.00
Sets the speed of the
LFO p.223
Src Source Off...Tempo
Selects a modulation
source for LFO speed
Amt Amount
–20.00...
+20.00
Sets the modulation
amount of LFO speed
MIDI Sync
BPM/MIDI
Sync
Off, On
When this is on, the
LFO speed is set by
BPM, Base Note, and
Times, instead of
Frequency p.223
BPM ←
MIDI,
40.00...
300.00
MIDI syncs to the
system tempo; 40–
300 sets the tempo
manually for this
individual effect p.223
Note Base Note ...
Selects the type of
notes that specify the
LFO speed p.223
Time Times x1...x32
Sets the number of
notes that specify the
LFO speed p.223
Depth ← 0...100
Sets the depth of LFO
modulation
Left
Right
Resonance
LFO Shape
LFO Phase
LFO: Tri / Sine
Wet / Dry
Wet / Dry
High Damp
Stereo In - Stereo Out
Phaser
Phaser
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