Program mode
20
AMS2
This selects the second AMS source for controlling the EG’s Level
parameters. The parameters ofAMS2 are identical to those of
AMS1, above.
5–3: T-MOD (Time Modulation)
These settings let you use an AMS source to control the Time
parameters of the EG. The Attack, Decay, and Slope times share
this AMS source, but each has its own modulation intensity.
Pitch EG Time Modulation
AMS1
AMS [List of AMS Sources]
This selects the AMS source to control the EG’s Time parameters.
Velocity and Keyboard Track can both be useful here for instance.
For a list of AMS sources, please see “AMS (Alternate
Modulation Source) List” on page 292.
Attack [–99...+99]
This controls the depth and direction of the AMS modulation for
the Attack time.
For example, if you set the AMS source to Velocity and set Attack
to +99, the Attack time will get much longer at higher velocities. If
you instead set Attack to –99, the Attack time will get much
shorter at higher velocities.
When the AMS source is at its maximum value for instance, when
Velocity is at 127 a setting of +8 will make the Attack time almost
twice as long, and a setting of –8 will cut the Attack time almost in
half.
Decay [–99...+99]
This controls the depth and direction of the AMS modulation for
the Decay time.
Slope [–99...+99]
This controls the depth and direction of the AMS modulation for
the Slope time.
V
5–1...3: FUNCTION
•0: Write Program, Write/Initialize Program see page 63
•1: Solo Setting see page 63
•2: Compare see page 64
•3: Auto Song Setup see page 64
•4: Add to Favorite see page 64
•5: Copy Oscillator see page 64
•6: Swap Oscillator see page 64
For more information, please see the “Program: Function” section
on page 63.
AMS=Velocity, Intensity = a positive (+) value
“Attack”= +
“Decay”= +
“Slope”= +
“Attack”= +
“Decay”= +
“Slope”= +
“Attack”= –
“Decay”= –
“Slope”= –
Softly played note.
Original Shape.
Strongly played note.
Times are longer.
Reaches Sustain more
slowly.
Strongly played note.
Times are shorter.
Reaches Sustain more
quickly.
Note-on Note-on Note-on