Appendices
298
Dynamic Modulation Sources (Dmod)
You can control certain effect parameters using the modulaiton
wheel ,SW1/SW2, etc. “on the fly.”
These parameters can also be controlled by the sequencer.
Controlling effects in this way is referred to as Dynamic
Modulation. For example, you can use After Touch to speed up the
LFO of the chorus and flanger, or you can use the modulation
wheel to sweep a wah effect. This lets you take full advantage of
the effects as part of the expressive potential of your instrument.
Most of the parameters for dynamic modulation consist of
parameter values for Src and Amt. The Src field selects the
modulation source, and Amt sets the modulation intensity. When
the Src is at its maximum value (for instance, when the
modulation wheel is moved away from yourself ), the actual
degree of the effect will be the parameter value plus the Amt.
Example: Wet/Dry 10:90, Src M.Whl:#01, Amt +50
In this case, the effect balance will normally be 10:90, and moving
the modulation wheel away from yourself will gradually increase
the proportion of the effect sound. When the modulation wheel is
moved all the way, the effect balance will be 60:40.
See the individual effect descriptions for explanations of other
dynamic modulation parameters. Parameters that can be controlled
through dynamic modulation are marked by the symbol.
Dmod and MIDI
In Program mode, dynamic modulation is always controlled
via the global MIDI Channel.
In Combination and Sequencer modes, dynamic modulation
is controlled via the MIDI channel independently specified
by the Ch for IFX1–5 and MFX1, 2.
Dynamic Modulation Source
List
Wet / Dry
Max
Zero Higher
D
-mod
Dry
Wet
60:40
10:90
Dynamic Modulation (Example)
Wet / Dry=10:90
Amt= +50
Wet / Dry=60:40
Amt= –50
Off dynamic modulation is not used
Gate1 note on/off (see page 299)
Gate1+D note on + damper on/off (see page 299)
Gate2 note on/off (retrigger) (see page 299)
Gate2+D note on + damper on/off (retrigger) (see page 299)
NoteNum note number
Velocity velocity
Exp Velo exponential velocity (see page 299)
After T aftertouch (Channel After Touch) reception
P.Bend
Pich bend wheel (toward yourself/away from
yourself)
M.Whl #1 modulation wheel (away from yourself ) (CC#01)
JS–Y #2 MIDI Control Change (CC#02)
Pedal #4 assignable foot pedal (CC#04) (see page 299)
FX #12 MIDI effect control 1 (CC#12)
FX #13 MIDI effect control 2 (CC#13)
Ribon#16 MIDI Control Change (CC#16)
VSldr#18 MIDI Control Change (CC#18) (see page 299)
K.M1 #17 MIDI Control Change (CC#17) (see page 299)
K.M2 #19 MIDI Control Change ( CC#19) (see page 299)
K.M3 #20 MIDI Control Change (CC#20) (see page 299)
K.M4 #21 MIDI Control Change (CC#21) (see page 299)
K.M1 [+] Knob modulation 1 [+] (see page 299)
K.M2 [+] Knob modulation 2 [+] (see page 299)
K.M3 [+] Knob modulation 3 [+] (see page 299)
K.M4 [+] Knob modulation 4 [+] (see page 299)
Dmpr #64 damper pedal (CC#64)
PrSW #65 portamento switch (CC#65)
Sstn #66 sostenuto pedal (CC#66)
Soft #67 soft pedal (CC#67)
SW1 #80
assignable panel switch 1 (SW1 modulation CC#80)
(see page 300)
SW2 #81
assignable panel switch 2 (SW2 modulation CC#81)
(see page 300)
Foot #82 assignable foot switch (CC#82) (see page 307)
CC#83 MIDI Control Change (CC#83)
CC#85
MIDI Control Change (CC#85)
CC#86
MIDI Control Change (CC#86)
CC#87
MIDI Control Change (CC#87)
CC#88
MIDI Control Change (CC#88)
Tempo
tempo (internal clock or external MIDI clock tempo
data) (see page 299)
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