Appendices
294
Alternate Modulation settings
When you use an AMS (Alternate Modulation Source), the
modulation destination will be affected as shown in the table
below.
By using alternate modulation, you can create complex systems of
modulation where EG, LFO, keyboard tracks, and controllers work
together.
• You can apply complex change to an LFO or EG, for example
by using the pitch/filter/amp EG to control the frequency or
intensity of an LFO that modulates the pitch/filter/amp, or by
using LFO2 to control the frequency of LFO1.
• The tone, EG, and LFO etc. can be controlled by key velocity or
the modulation wheel, and also from a button, or pedal etc.
• Panning can be controlled in realtime from a controller, EG, or
LFO etc.
• You can use the filter EG to control pitch or volume at the same
time that it controls the filter.
• Controllers etc. can be used to control EG levels or times. This
lets you shape the EG in realtime.
• Filter/amp keyboard tracking or note number can be used to
control the EG or LFO according to the keyboard pitch that is
played.
• Pitch, tone, EG or LFO can be controlled by the tempo of the
arpeggiator and/or sequencer.
AMS operations and their result
AMS source
& value range
Amp EG
0...+99
Pitch & Filter
EGs
–99...0...+99
LFO1 & 2
–99...0...+99
Common LFO
–99...0...+99
Filter & Amp
Key Track
–99...0...+99
Common
Key Track
1 & 2
–99...0...+99
Note Number
C–1...C4...C9
EXT(+/–) *1
–Max...0...+Max
EXT (Tempo) *2
=...60.00...120.00...240.00...
EXT(+) *3
0...127
Parameter AMS
Intensity
Pitch *4 (+12.00)
0...+1
Octave
–1…0…+1
Octaves
(Filter EG as
AMS;
dedicated
parameter for
Pitch EG)
Dedicated
parameter
–1...0...+1
Octaves
–
Dedicated
parameter
–1...0...+1
Octaves
0...+1
Octave
Pitch EG
Int.
(+12.00) –
Dedicated
parameter for
Pitch EG
–
–1...0...+1
Octaves
–1...0...+1
Octaves
0...+1
Octave
Pitch LFO1/
2 Int.
(+12.00)
0...+1
Octave
–1...0...+1
Octaves
–
–1...0...+1
Octaves
0...+1
Octave
Filter
Frequency
(+99)
0...+10
Octaves
–10…0…+10
Octaves
(Pitch EG as
AMS;
dedicated
parameter for
Filter EG)
Dedicated parameter
Dedicated
parameter for
Filter KTrk
–10…0…+10
Octaves
–
–10…0…+10
Octaves
0...+10
Octaves
Filter
Resonance
(+99) 0...+99 –99...0...+99 0...+99
Filter EG
Int.
(+99) –
Dedicated
parameter for
Filter EG
– –99...0...+99 – –99...0...+99 – –99...0...+99 0...+99
Filter LFO1/
2 Int.
(+99) 0...+99 –99...0...+99 – –99...0...+99 0...+99
Filter
Output
Level A/B
(+99) 0...+99 –99...0...+99 0...+99
Drive (+99) 0...+99 –99...0...+99 0...+99
Low Boost (+99) 0...+99 –99...0...+99 0...+99
Amp (+99)
Dedicated
parameter
0...1x...8x
Dedicated
parameter
0...1x...8x
Dedicated
parameter for
Amp KTrk
– – 0...1x...8x 1x...8x
Amp LFO1/
2 Int.
(+99) 0...+99 –99...0...+99 – –99...0...+99 0...+99
Pan (+50) 0...+63 –63...0...+63 0...+63
EG Level (+66) – –99...0...+99 0...+99
EG Time (+49) – 1/64x...1x...64x 1x...64x
LFO 1
Frequency
*4
(+99) 1x...64x
1/64x...
1x...64x
(LFO2 only)
1/64x...1x...64x 1x...64x
LFO 2
Frequency
*4
(+99) 1x...64x – 1/64x...1x...64x 1x...64x
Common
LFO
Frequency
*4
(+99) – 1/64x...1x...64x 1x...64x
LFO 1
Shape
(+99) 0...+99
–99...0...+99
(LFO2 only)
–99...0...+99 0...+99
LFO 2
Shape
(+99) 0...+99 – –99...0...+99 0...+99
Common
LFO
Shape
(+99) – –99...0...+99 0...+99
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