Program mode
42
10–3: 2. WAV (LFO2 Waveform)
see “10–1: 1.WAV (LFO1 Waveform)” on page 39
10–4: 2. FREQ (LFO2 Frequency)
“10–2: 1. FRQ (LFO1 Frequency)” on page 41
V
10–1...4: FUNCTION
•0: Write Program, Write/Initialize Program see page 63
•1: Solo Setting see page 63
•2: Compare see page 64
•3: Auto Song Setup see page 64
•4: Add to Favorite see page 64
•5: Swap LFO 1&2 see page 65
For more information, please see the “Program: Function” section
on page 63.
11: P–CMN LFO/KT
This is a single, Common LFO, global for all voices in the
Program like the modulation LFOs in some vintage analog synths.
Differences from LFO1/2
The Common LFO starts running as soon as you select the
Program, and only resets when you tell it to do so explicitly via the
Reset Source control, below. This is different from LFO1/2’s Key
Sync parameter, which resets whenever all notes are released.
The Common LFO’s persistence can be handy if you want to
create a constant rhythm with an LFO, and then play “underneath”
that rhythm without re-triggering it. For instance, you can use a
MIDI controller in your sequencer to reset the Common LFO
every few bars, regardless of what notes are being played.
The Common LFO has most of the same controls as LFO1/2.
However, it does not include the Delay, Fade, and Key Sync
settings, since these only make sense for per-voice LFOs.
11–1: LFO.W (Common LFO Waveform)
Common LFO (Common LFO Waveform)
[Triangle...Random6 (Cont)]
This selects the basic LFO waveform. For a complete list of the
waveforms and more details, please see the entry under LFO1
“LFO1 (LFO1 )Waveform” on page 39.
Phase [–180...+180, Random]
The Reset AMS, described above, lets you reset the Common
LFO. This is the phase from which the LFO will start when it is
reset.
Offset [–99...+99]
By default, almost all of the LFO waveforms are centered around
0, and then swing all the way from –99 to +99. This parameter lets
you shift the LFO up and down, so that for instance it’s centered
on 50, and then swings from –49 to +149.
For a complete description, please see the entry under LFO1
“Offset” on page 40.
Shape [–99...+99]
Shape adds curvature to the basic waveform. For more details,
please see the entry under LFO1 “Shape” on page 40.
Note: Shape does not affect the Square and Random3 waveforms,
since their values are always either +99 or –99.
AMS (Shape) [List of AMS Sources]
This selects an AMS source for controlling the LFO’s Shape.
Modulating the shape can dramatically alter the effect of the LFO,
try it out!
For a list of AMS sources, please see “AMS (Alternate
Modulation Source) List” on page 292.
AMS Intensity [–99...+99]
This controls the depth and direction of the AMS (Shape)
modulation.
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