PROGRAM > MOD-7: Amp & Mixer 7–1: Mixers 1-3
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PROGRAM > MOD-7: Amp & Mixer
7–1: Mixers 1-3
Overview
These are the three 2-in, 1-out mixers on the Patch Panel.
They can be used for mixing signals together, or for
additional control of volume and phase. All input levels can
be modulated via AMS.
Tip: using a VPM Oscillator as a mixer
The three mixers should be sufficient for almost all
purposes. In a pinch, however, you can also create a mixer
out of an unused VPM Oscillator. To do so, set the Mode to
Waveshaper, and set the Table to Linear. Note that this has a
much higher CPU cost than a normal mixer.
Tip: creating splits between elements
You can easily create a keyboard or velocity split between
two different sounds within a single MOD-7 patch. To do so:
1. Create the two elements of the patch.
For instance, three VPM oscillators creating a bell timbre,
and three others creating a pad.
2. Route the two elements to two inputs of any mixer.
You can use one of Mixers 1-3, or the Output Mixer.
3. On the mixer, set input 1’s level to 100, and input 2’s
level to 0.
4. Set an AMS Mixer to Gate.
5. In the AMS Mixer, set the Source to Note Number to
create a keyboard split, or to Velocity o r Exp Velocit y
to create a velocity split.
6. Set both the Below and At & Above outputs to fixed
values; 00 for below, 99 for above.
7. The Threshold controls the split point; set it as
desired.
When the Source is set to Note Number, a Threshold of
00 is middle C.
8. Assign the output of the AMS Mixer to modulate the
two mixer inputs from step (1).
9. Set the AMS Intensity to –100 for input 1, and +100
for input 2.
Now, if the input is below the Threshold, input 1 will be
heard; if the input is above the Threshold, input 2 will be
heard.
7–1a: Mixer 1
Input 1
Level [0…100]
This controls the volume level for input 1.
Phase Invert [Off, On]
This inverts the phase of input 1.
AMS [List of AMS Sources]
This selects the main modulation source for controlling the
Level. For a list of AMS sources, see “Alternate Modulation
Source (AMS) List” on page 901.
Intensity [–100…+100]
This controls the depth and direction of the Level
modulation.
Input 2
The controls for Input 2 are the same as those for “Input 1,”
above.
7–1PMC
7–1a
7–1c
7–1b
7–1c
7–1b
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