Korg NAUTILUS Series

PROGRAM > AL-1: AMS Mixer 9–1: AMS Mixer
179
PROGRAM > AL-1: AMS Mixer
The AMS Mixers combine two AMS sources into one, or
process an AMS source to make it into something new.
For instance, they can add two AMS sources together, or use
one AMS source to scale the amount of another. You can
also use them to modify the response of realtime controllers.
The AMS Mixer outputs appear in the list of AMS sources,
just like other controllers.
This also means that the original, unmodified inputs to the
AMS Mixers are still available as well. For instance, if you
use Aftertouch as an input to a AMS Mixer, you can use the
processed version of the Aftertouch to control one AMS
destination, and the original version to control another.
Finally, you can cascade the two AMS Mixers together, by
using AMS Mixer 1 as an input to AMS Mixer 2.
9–1: AMS Mixer
9–1a: AMS Mixer 1
Mixer Type [A+B, Amt AxB, Offset, Smoothing,
Shape, Quantize, Gate]
This controls the type of processing performed by AMS
Mixer 1. Each of the Mixer Types is discussed in detail
elsewhere in the manual.
A+B adds two AMS sources together. For more information,
see “A+B” on page 90.
Amt Ax B scales the amount of one AMS source with the
other. See “Amt A x B” on page 90 for more details.
Offset adds or subtracts a constant value to or from an AMS
source. For more information, see “Offset” on page 91.
Smoothing creates more gentle transitions between values,
smoothing out abrupt changes such as a quick move on a
joystick or a sharp edge on an LFO. For details, see
“Smoothing” on page 92.
Shape adds curvature to the AMS input. For an in-depth
description, see “Shape” on page 92.
Quantize turns smooth transitions into discrete steps. See
“Quantize” on page 93 for more information.
Gate chooses between two AMS inputs (or fixed values)
based on a third AMS source. See “Gate” on page 93 for
more information.
9–1b: AMS Mixer 2
This is the second AMS Mixer. Its parameters are exactly the
same as those of AMS Mixer 1, above.
v 9–1: Page Menu Commands
• Compare →p.112
• Write Program →p.112
• Exclusive Solo →p.113
•PAGE →p.126
•MODE →p.126
9–1PMC
9–1a
9–1b