PROGRAM mode: HD-1
34
Filter LFO 1 Intensity to A. (–99…+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO1, as described under “3–3a: LFO 1/2”
on page 69.
Filter LFO 1 Intensity to B. (–99…+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO1, as described under “3–3a: LFO 1/2”
on page 69.
Filter LFO 2 Intensity to A. (–99…+99, Absolute)
This controls the depth and direction of Filter A cutoff
modulation from LFO2, as described under “3–3a: LFO 1/2”
on page 69.
Filter LFO 2 Intensity to B. (–99…+99, Absolute)
This controls the depth and direction of Filter B cutoff
modulation from LFO2, as described under “3–3a: LFO 1/2”
on page 69.
Pitch LFO 1 AMS Intensity. (–12.00…+12.00, Absolute)
You can use an AMS source, such as joystick, to modulate
the depth of pitch modulation (vibrato) from LFO1. This
controls the intensity of that AMS modulation. For more
information, see “4–2c: LFO 1/2” on page 78.
Pitch LFO 2 AMS Intensity. (–12.00…+12.00, Absolute)
This is similar to Pitch LFO 1 AMS Intensity, above. For
more information, see “4–2c: LFO 1/2” on page 78.
v
0–9: Page Menu Commands
• Compare →p.112
• Write Program →p.112
• Exclusive Solo →p.113
• Copy Scene →p.121
• Swap Scene →p.122
• Add To Set List →p.113
•PAGE →p.126
•MODE →p.126
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