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HAVIAN 30
Korg HAVIAN 30 User Manual
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Sounds (Pr
ogr
am Change order
)
|
75
7
Sound
CC00
CC
32
PC
Suit E.
Piano 1
12
1
20
4
Suit E.
Piano 2
12
1
21
4
Dyn
o Tine E
P 2
121
22
4
Bell E. Pia
no 1
121
23
4
Bell E. Pia
no 2
121
24
4
EP
+Dampe
r 1 RX
12
1
25
4
EP
+Dampe
r 2 RX
12
1
26
4
Tine E
P Phaser
12
1
27
4
Tine E
P Dyn
o
12
1
28
4
Tine E
P Amp/
P
has
12
1
29
4
Dist. T
ine EP
12
1
30
4
Wet Tine EP
12
1
31
4
Bell T
ine EP
12
1
32
4
Suit Ca
se8
8 EP1
121
33
4
Suit Ca
se8
8 EP
2
12
1
34
4
E.Pia
no R
X Nois
e
12
1
35
4
Wurly Logic
121
36
4
Reed E
P Clean
12
1
37
4
Wurly A
mp
12
1
38
4
Wurly Clea
n 1
12
1
39
4
Wurly A
mp/C
omp
12
1
40
4
Wurly Clea
n 2
12
1
41
4
Wurly R
X Nois
e
121
42
4
Natural E
P
12
1
43
4
Natural Wurl
y
121
44
4
E. Piano 2 G
M
121
0
5
Detun
ed EP 2
12
1
1
5
EP 2 Veloc. Mix
12
1
2
5
EP Lege
nd
121
3
5
EP Pha
se
12
1
4
5
Syn P
iano X
12
1
5
5
Stereo D
ig. EP
12
1
6
5
Classic D
ig. EP
121
7
5
Hybrid E
P
12
1
8
5
Classic Tine
s
12
1
9
5
Sound
CC00
CC
32
PC
Phanto
m Tine
12
1
10
5
DW8
0
0
0 E
P
12
1
11
5
Sweepin
g EP
12
1
12
5
White Pad EP
121
13
5
Digi E. Pian
o
12
1
14
5
FM Pad E
P
121
15
5
FM S
tack E
P
12
1
16
5
VP
M E. Piano
121
17
5
Harpsic
hord GM
121
0
6
Harpsi O
ctaveMi
x
12
1
1
6
Harpsi W
ide
12
1
2
6
Harpsi Key O
ff
121
3
6
Ha
rps
i Korg
12
1
4
6
Harpsi 16’ R
X
12
1
5
6
Harpsich
ord
12
1
7
6
Harpsic
hord 8+4’
121
8
6
Clav GM
12
1
0
7
Pulse Clav
12
1
1
7
Clav Wah RX
121
2
7
Clav Snap
12
1
3
7
Stick
y Clav
121
4
7
Clav RX
121
5
7
Synt
h Clav RX
121
6
7
Classic Clav
121
7
7
Cele
sta GM
12
1
0
8
Celesta
12
1
1
8
Glockenspiel GM
12
1
0
9
Sist
ro
12
1
1
9
Glockenspiel
121
2
9
Music B
ox GM
121
0
10
Org
el
12
1
1
10
Music B
ox
12
1
2
10
Vibrapho
ne GM
12
1
0
11
Vibrapho
ne Wide
12
1
1
11
Vibrapho
ne 1
121
2
11
760
762
Table of Contents
Default Chapter
3
Important Safety Instructions
3
Other Notices
4
Table of Contents
5
Part I
11
Let's Start
13
Introduction
13
Welcome to Havian 30
13
Before Starting to Play
16
What’s in the Box
16
What You Can Add
16
Making a Safety Copy of Your Data
17
Restoring a Safety Copy
17
Restoring the Original Factory Data
17
Loading the Operating System
17
Overview of the Instrument
18
Front Panel
18
Control Panel
19
Display
19
Display Navigation Aids for Blinds and Visually Impaired
19
Styles Area
20
Player Area
20
Sounds Area
20
Navigation Area
20
Rear Panel
21
Metronome and Tempo Area
21
USB Connectors
21
Pedal Connector
22
Phones/Line out Connector
22
Power Supply Connector and Power Cable Holder
22
Setting up the Accessories
23
Connecting the Damper Pedal
23
What if the Pedal Does Not Behave Correctly?
23
Connecting the Audio Outputs
24
Connecting the Headphones
24
Assembling the Music Stand
26
Powering
27
Turning the Instrument on
27
Connecting the Power Adapter
27
Turning the Power on or off
27
Calibrating the Touch Screen
28
Listening to the Demo Songs
29
Exit from the Demo Mode
30
Interface Basics
31
The Main Page
31
The User Interface in Detail
32
Display and User Interface Elements
32
Color Touchview Graphical User Interface
32
Operative Modes
32
Edit Menus and Sections
33
Pages and Tabs
33
Overlapping Windows
33
Dialogs
34
Page Menus
34
Pop-Up Menus
34
Lists and Scrollbars
35
Parameters
36
Checkboxes
36
Editable Names
36
Numeric Fields
36
Icons
37
Selected, Highlighted Items
37
Non-Available, Dimmed Parameters
37
Virtual Controllers
38
Shortcuts
38
Going to a Page
39
Navigating through the Pages 38 Selecting the Musical Resources
39
Selecting the Musical Resources
42
Opening a Select Window
42
Using the Display Navigation Aids
43
Choosing the Type
43
Choosing the Group
43
Choosing the Page
43
Choosing the Element
44
Playing and Singing
45
Playing and Singing
47
Turning the Easy Mode on or off
47
The Easy Style Play Page
48
The Easy Song Play Page
50
Playing the Sounds
52
Playing Grand Piano
52
Choosing the Sounds
52
Choosing an STS
56
Display Hold
56
Sound, Performance, STS
57
Factory, User, Favorite
57
Tempo and Metronome
58
Setting the Tempo Value
58
Beating (‘Tapping’) the Tempo Value
59
Locking the Tempo Value
59
Turning the Metronome on and off
61
Setting the Meter, Accent and Volume
61
Playing the Styles
63
Choosing the Styles
63
What Is a Style?
66
Accompaniment Parts
66
Chords and Patterns
66
Sections
66
The Piano Styles
67
Playing a Style
68
Starting and Stopping the Style
68
Automatic Start and Stop
68
Choosing an Intro
69
Choosing a Variation to Play a Verse or Chorus
70
Automatically Choosing a Fill
70
Choosing a Break
71
Choosing an Ending
71
Looping Sections
72
Balancing the Accompaniment against the Keyboard
72
The Chord Sequencer
73
Recording a Chord Sequence
73
Playing Back a Chord Sequence
74
Playing the Songs
75
Choosing a Song from the List
75
What Is a MIDI Song
78
What Is an MP3 Song
78
Choosing a Song by ID Number
78
Showing the ID Number
78
Choosing a Song by Number
79
Viewing the Song’s Filename Extension
79
Playing a Song
80
Starting, Stopping and Controlling the Player
80
Balancing the Song against the Keyboard
81
Setting the General Volume of the MP3 Songs
81
Playing Along with the Song
82
Playing All the Songs in a Folder
83
Playing a Jukebox List
85
Creating and Editing a Jukebox List
85
What if a Song in the List Is Missing?
87
Lyrics, Chords, Score and Markers
88
Reading Lyrics and Chords
88
Where Are Lyrics and Chords Contained?
88
Reading the Lyrics and Chords Contained in a Song
89
Reading the Lyrics and Chords Loaded as a Text File
90
Chord Transposition
90
Loading a Text File with the same Name of the Song
90
Linking Text Files to Songbook Entries
91
On-The-Fly Loading of Lyrics and Chords from an External Text File
91
Reading the Lyrics and Chords Loaded as a CDG File
92
Loading a CDG File with the same Name of the Song
92
Reading the Music Score
93
Following the Song
94
Intelligent Display of the Score
94
Show Lyrics, Chords, Note Names
95
Muting the Selected Track
95
Saving the Play/Mute Status
95
Music Score and Transposition
96
Muting a Song’s Sound with a Footswitch
96
Moving through a Song with the Markers
97
Using the Markers
97
Creating and Editing Markers
98
Searching for Files and Other Items
100
Using the Search Function
100
A Note about Searching: the Wildcards
104
Using the Songbook
107
Choosing the Songbook Entries
107
What Is the Songbook?
107
Choosing the Songbook Entries from the Book List
108
Sorting by Label
109
Choosing between Artist and Genre, Number and Key
109
Identifying the Type of Entry
109
Filtering the Entries
110
Getting Information on the Songbook Entries
112
Choosing the Songbook Entries by Song Number
113
Choosing the Songbook Entries Via MIDI
113
Setting the Special Control MIDI Channel
113
Selecting Songbook Entries Via MIDI
114
Sending MIDI Messages When Selecting Songbook Entries
115
Using the Custom Lists
116
What Are Custom Lists?
116
Playing a Custom List
116
Editing the Songbook
118
Creating and Editing the Songbook Entries
118
Editing an Existing Songbook Entry
119
Saving Different Styles or Songs
120
Saving Different Stss
121
Editing the Song Selection Number
122
Editing the Database Parameters
123
Editing the Style Controls (Synchro/Memory)
125
Linking a Text File to the Songbook Entry
126
Creating and Editing the Custom Lists
127
Enabling Custom List Editing
127
Creating or Editing a Custom List
127
Deleting a Custom List
130
Using the Songbook with a Personal Computer
131
Editing the Songbook with Songbook Editor
131
Using a Tablet as a Songbook Extension
131
Customizing and Editing the Sound Sets
133
Customizing the Sound Sets
135
Playing Different Sounds with the Left and Right Hand
135
Splitting the Keyboard
135
Split, Keyboard Modes, Sounds
135
Changing the Local (or Temporary) Split Point
136
Changing the Global Split Point
137
‘Global’ and ‘Local’ (or Temporary) Split Point
138
Parts, Tracks, Channels
138
Playing Two or Three Sounds at the same Time
139
Turning the Keyboard Sounds on or off
139
Choosing Different Sounds
140
Mixing the Keyboard Sounds
142
Adjusting the Sound’s Volume
142
Turning the Sounds on or off from the Volume Panel
142
Soloing a Sound
143
Transposing the Sounds to a Different Octave
144
Transposing All the Upper Sounds
144
Transposing any Sound
144
Using the Ensemble to Add Harmony
146
Turning the Ensemble on or off
146
Choosing an Ensemble Type
146
Advanced Editing of the Sound Sets
149
The Editing Procedure
149
Choose a Sound Set
149
Access Editing
150
Choose a Sound to Edit
150
Save the Changes
150
Mixing the Sounds
151
Setting the Volume and Play/Mute Status
151
Linking the Upper Sound Volume Sliders
152
Setting the Pan
152
Adding Effects
153
The FX Processors
153
Choosing the FX Group and Setting the FX Send Level
154
Including or Excluding the Dry (Direct) Signal
155
Choosing the Effects and Setting Their Controls
156
Editing the Effects
157
Copying a Single Effect
158
Copying All the Effects in an FX Group
158
The Channel Equalizer
159
Setting the EQ Gain
159
Equalization
159
Input Sensitivity and Bypassing
160
Resetting the EQ
161
Octave and Fine Tuning
162
Setting each Sound’s Octave Transpose and Fine Tuning
162
Sound Routing, Polyphony, Key and Velocity Range
163
Using Internal or External Sounds
163
External Sounds and Program Change Messages
164
Mono, Poly, Drum Type
164
Key and Velocity Range
165
Easy Editing of Drum Kits
167
Resetting a Drum Family
169
Resetting a Track
169
Easy Editing of Sounds
170
Setting Portamento
171
Resetting All Tracks
171
Writing the Sound Sets
172
Writing a Performance
172
Writing an STS into a Style
174
Saving Stss into a Songbook Entry
175
Customizing, Recording and Editing the Styles
179
Customizing the Styles
181
Setting the Chord Recognition
181
Choosing Where to Play Chords (Chord Scan Area)
181
Choosing How to Play Chords
182
Hold the Recognized Chord When Pressing the Pedal
183
Mixing the Grouped Accompaniment Sounds
184
Adjusting the (Global) Accompaniment Groups Volume
185
Editing the Style Settings
187
Mixing the Individual Accompaniment Sounds
187
Adjusting the Volume of the Individual Accompaniment Sounds
187
Turning the Individual Accompaniment Sounds on or off
188
Soloing an Accompaniment Sound
189
Changing the Sounds of the Accompaniment Parts
190
Style Settings Vs. Style Pattern
190
Changing Sounds in the Style Settings
191
Changing Sounds in the Style Pattern
192
Drum Kits
192
Setting the Style Controls
193
Remapping Drum Kit Instruments
193
Setting a Key Range and Wrap-Around
194
Writing the Style Settings
195
Recording the Styles
196
Overview on the Styles
196
The Style Parts
196
Style Elements
196
Key/Chord
197
Tracks and Patterns/Sequences
197
What Happens When You Play a Chord…
198
Ordinary, Guitar and Drum Tracks
198
What to Record in a Style
198
The Style Structure
199
Accessing the Style Record Mode
200
Exiting Style Record
200
The Style Record
201
Preparing to Record
202
Choosing the Chord Variation and Settings the Recording Parameters
202
Choosing the Style Element and Chord Variation to Record
202
Setting the Total Chord Variation Length
203
Setting the Track’s Recording Length
203
Setting the Style Record Tempo
204
Setting the Meter of the Style Element
204
Setting the Resolution
204
Selecting a Track and Getting Information
205
Choosing the Original Chord and Transposition Table
206
Choosing the Original Key/Chord for the Selected Track
206
Copying the Key/Chord to Other Chord Variation or Style Tracks
207
Choosing an NTT Table for the Selected Track
207
Choosing Sounds for the Style Tracks
209
Transposing the Style Sounds
209
Cue Mode for the Style Element
210
Recording a Style in Realtime Record
211
Using the Metronome
211
Deleting Notes
212
Listening to the Results
212
Saving the Style
213
Exiting the Style Record Mode Without Saving
213
Recording a Style in Step Record
214
Step Recording
214
Overdub Recording
217
Recording a Guitar Track
219
Simulating a Real Guitar
219
Preliminary Settings
219
Accessing Guitar Mode
219
Selecting a Capo
221
Selecting the Lowest and Highest Strings
221
Recording Strummings
222
Recording Single Strings
222
Recording RX Noises
223
Recording a Regular Pattern
224
Recording a Chord Shape
224
Listening to the Recorded Pattern
227
Editing the Styles
228
Editing the Individual MIDI Events
228
The Event Edit Page
228
The Event Edit Procedure
229
Editing the Style Patterns
232
Quantizing
232
Transposing
233
Editing Velocity Data
234
Cutting out Measures
237
Deleting Data from Measures
238
Deleting Style Elements, Chords Variations or a Whole Style
240
Copying from a Style
241
Editing the Sounds and Controls
243
Style Element Original Sounds
243
Copying the Style Element Original Sounds
244
Style Element Relative Volume
244
Adjust Expression
245
Copying the Expression Values
246
Keyboard Range
246
Copying the Key Range
247
RX Noise/Guitar
248
Editing the Chord Table
249
Copying the Chord Table to Other Style Elements
250
Editing the Style Tracks
251
Track Type, Trigger, Tension
251
Importing and Exporting the Styles
253
Importing from a Standard MIDI File
253
Preparing the SMF File
253
Importing Style Element / Chord Variation Parameters
253
Sounds
254
Note Length
254
MIDI Channels
254
Importing a Standard MIDI File into a Chord Variation
255
Importing a Standard MIDI File ‘Separated by Markers’ into a Style
255
Imported Events
256
Naming Conventions
257
Exporting a Chord Variation to a Standard MIDI File
259
Exporting a Style to a Standard MIDI File ‘Separated by Markers’
259
Saving the New/Edited Style
261
Writing Styles
261
Managing the Styles
263
The Favorite Styles
263
Creating the Favorite Style Banks
263
Renaming the Favorite Style Banks
264
Copying the Styles
265
Writing over the Factory Styles (and Stss)
266
Customizing, Recording and Editing the Songs
267
Customizing the Songs
269
Song Play Vs. Sequencer Mode
269
Adjusting the Volume of the Individual MIDI Song Sounds
269
Muting the Individual MIDI Song Sounds
271
Saving the Play/Mute Settings
271
Soloing a MIDI Song Sound
272
Changing the MIDI Song Sounds
272
Muting a Song’s Sound with an Assignable Switch or Footswitch
272
Transposing the Song Sounds
273
Writing the Song Play Settings
274
Writing the Default Song Play Tracks and FX Settings
274
Listening the MIDI Songs in Sequencer Mode
275
Loading and Listening a MIDI Song
275
Playing the MIDI Song
276
Transport Controls
276
Alternative Starting Position
277
Choosing the Tempo Mode
277
Recording MIDI Songs
278
Multitrack Recording a Song
278
Accessing the Multitrack Sequencer Record
278
Setting the Recording Parameters
279
Choosing the Sounds and Transpose
281
Recording
282
Second-Take Recording
283
Auto Punch Recording
283
Saving the Song
284
Pedalpunch Recording
284
Step Recording a Song
285
Accessing Step Recording
285
Quick Recording a Backing Sequence Song
290
What Is a Backing Sequence Song?
290
Choosing the Style and Sounds
290
Accessing the Backing Sequence (Quick Record) Mode
290
Backing Sequence and MIDI Songs
294
Second-Take Recording (Overdubbing)
295
Step Recording a Backing Sequence Song
296
Accessing the Step Backing Sequence Mode
296
Event Types
298
Inserting Measures
299
Deleting Everything from the Current Position
299
Deleting Selected Types of Events
300
Deleting Single Events
300
Exiting from Record
300
Editing the MIDI Songs
301
Editing the Individual MIDI Events
301
Editing the Song Tracks
305
Cutting or Inserting Measures
310
Copying Data
312
Moving Data
313
Converting Notes to RX Noises
314
Saving the MIDI Song
315
Recording and Saving an MP3 Song
317
What Can You Record into an MP3 Song?
319
Saving the MP3 Song
319
Customizing and Editing the Sounds
321
Listening and Customizing the Sounds
323
Accessing the Sound Edit Mode
323
Exiting Sound Edit
324
Listening to Individual Sounds
325
Choosing a Sound
325
Playing Via MIDI
325
Customizing the Sound
326
Using the Realtime Controls
326
Setting the Voice Mode
328
Mixing the Effects
328
Saving the Sound
328
Editing the Sounds
329
Sound Generation
329
Choosing the Oscillators (OSC)
330
Sounds, Drum Kits
330
Setting the Sound's Basic Parameters
331
Setting the Oscillators
331
Choosing the Number of Oscillators
331
Limiting Transpose to a Defined Key Range
332
Limiting the Number of Oscillators When Polyphony Is Low
332
Polyphony, Triggering, Legato
333
Choosing the Mono/Poly Mode
333
Choosing Triggering Mode
333
Activating Legato
333
Choosing the Mono Note Priority
334
Holding Notes
334
Detecting Legato
335
Adjusting the Time Gap
335
Adjusting the Key Note Gap
335
Setting the Oscillator's Basic Parameters
336
The Multisamples
336
Choosing and Setting the Multisamples
336
Setting Octave and Fine Tuning
337
Oscillator Triggering
338
Setting the Velocity Switch between the Low and High Layers
338
Choosing an AMS (Alternate Modulation Source)
338
Choosing the Oscillator Triggering Mode
338
Choosing a Delay before Note Start
340
Reversing the Controllers
340
Setting the Velocity and Key Zone
341
Scaling the Received Velocity Values
341
Programming the Damper Pedal
342
Choosing a Damper Pedal Mode
342
Programming the Resonance/Halo
343
Setting a Key Range Without Dampers
343
Triggering Notes When Pressing or Releasing the Damper Pedal
344
Playing a Note When Pressing the Damper Pedal
344
Playing a Note When Releasing the Damper Pedal
345
Equalizing the Sound
346
Activate EQ
346
Trimming and Programming the EQ
346
Setting the Drum Kit’s Basic Parameters
347
Selecting and Setting a Key
347
Choosing the Number of Layers Per Key
347
Turning the Key on or off
347
Layer and Velocity Switch
348
Choosing and Setting the Drum Samples
348
Setting a Sample Start Offset
349
Setting the Sample Level
350
Programming the Sample Envelope
350
Programming the Filter
350
Setting Transpose and Fine Tuning
350
Equalizing the Drum Kit
351
Choosing the Key to Edit
351
Mixing and Retriggering the Drum Samples
353
Choosing Polyphony, Retriggering and Legato
353
Creating Exclusive Groups
354
Enabling Note on and Note off
354
Setting the Pan and FX Send Mixing Parameters
354
Modulating Pitch
355
Controlling Pitch
355
Setting the Pitch Slope
355
Controlling the Pitch with Physical Controllers
356
Controlling the Pitch EG (Envelope Generator)
357
Choosing a Pitch Modulation Source
357
Linking Pitch to Velocity
357
Linking Pitch to an AMS Modulation
357
Programming Portamento
358
Controlling the LFO
359
Setting the Pitch EG Levels and Times
360
Programming the Pitch Envelope (Pitch EG)
360
Modulating the Pitch EG Levels
361
Modulating the Pitch EG Times
362
Programming the Filters
364
Choosing the Filter Type
364
Trimming the Filter Input
365
Programming Filter a
365
Programming Filter B
366
Modulating the Filters
367
Programming Realtime Filter Modulation
367
Tracking the Cutoff Frequency Across the Keyboard
367
Modulating the Filter EG
368
Modulating the Filters Cutoff Frequency
369
Applying LFO to the Filters
370
Modulating the Filters with the Lfos
370
Setting the Filter EG Levels and Times
372
Programming the Filter Envelope (Filter EG)
372
Modulating the Filter EG Levels
374
Modulating the Filter EG Times
375
Programming Amplitude and Pan
376
Setting the Basic Amplitude and Pan Values
376
Setting the Amplitude’s Basic Level
376
Setting the Pan’s Basic Position
377
Modulating the Pan Position
377
Modulating Amplitude
378
Tracking the Amplitude Across the Keyboard
378
Modulating Amplitude with the Lfos
380
Setting the Amp EG Levels and Times
381
Programming the Amplitude Envelope (Amp EG)
381
Modulating the Amp EG Levels
382
Modulating the Amp EG Times
383
Programming the LFO
385
Choosing the LFO Waveform and Settings
385
Choosing the LFO Waveform and Frequency
386
Synchronizing the LFO with the Key Strokes
387
Fading the LFO
387
Delaying the LFO
387
Modulating LFO Frequency
388
Synchronizing the Lfos
389
Adding Effects to the Sound
390
Selecting the Effects
390
Setting the Effect Parameters
390
Sound Edit Utilities
391
Listening to a Single Oscillator
391
Swapping the Lfos
391
Copying the Oscillators
391
Copying the Effects
392
Copying Drum Kits
392
Initializing a Sound
392
Comparing with the Original Sound
392
AMS (Alternate Modulation Sources)
393
Diagrams of the Ampktrk Sources Follow
395
Writing the Edited Sound
396
Some Notes about Writing the Sounds
397
Part VIII
399
Effects for the MIDI Sounds
401
Adapting Reverb to the Room Size
401
Effects List
402
Master FX 1/2
402
Master FX 2 Only
403
DMS (Dynamic Modulation Sources)
404
Dynamics (Dynamic)
406
0: no Effect
406
1: Stereo Compressor
406
2: Stereo Limiter
408
3: Multiband Limiter
411
4: Stereo Mastering Limiter
412
5: Stereo Gate
413
6: Stereo Parametric 4-Band EQ
416
EQ and Filters (Eq/Filter)
416
Dynamic Modulation
416
7: Stereo Graphic 7-Band EQ
418
8: Stereo Exciter/Enhancer
419
9: Stereo Isolator
421
10: Stereo Wah/Auto Wah
422
11: Stereo Vintage/Custom Wah
426
12: Stereo Random Filter
428
13: Stereo Multi Mode Filter
431
14: Stereo Sub Oscillator
432
15: Talking Modulator
434
16: Stereo Decimator
437
17: Stereo Analog Record
439
18: Overdrive/Hi.gain Wah
441
Overdrive, Amp Models, and MIC Models (OD Amp MIC)
441
19: Stereo Guitar Cabinet
444
20: Stereo Bass Cabinet
445
21: Bass Amp Model
446
22: Bass Amp Model+Cabinet
447
23: Tube Preamp Modeling
449
24: Stereo Tube Preamp Modeling
451
25: MIC Modeling + Preamp
451
26: Stereo Chorus
453
Chorus, Flanger, and Phaser (Cho/Fln Phaser)
453
27: Black Chorus/Flanger
455
28: Stereo Harmonic Chorus
456
29: Stereo Biphase Modulation
458
30: Multitap Chorus/Delay
459
31: Ensemble
461
32: Polysix Ensemble
462
33: Stereo Flanger
463
34: Stereo Random Flanger
465
35: Stereo Envelope Flanger
466
36: Stereo Phaser
468
37: Stereo Random Phaser
470
38: Stereo Envelope Phaser
472
39: Stereo Vibrato
474
Modulation and Pitch Shift (Mod
474
40: Stereo Auto Fade Modulatiom
476
Delay
476
41: 2Voice Resonator
478
42: Doppler
480
43: Scratch
483
44: Grain Shifter
485
45: Stereo Tremolo
487
46: Stereo Envelope Tremolo
489
47: Stereo Auto Pan
490
48: Stereo Phaser + Tremolo
492
49: Stereo Ring Modulator
494
50: Detune
497
51: Pitch Shifter
498
52: Pitch Shifter BPM
500
53: Pitch Shift Modulation
502
54: Organ Vibrato/Chorus
504
55: Rotary Speaker
506
56: L/C/R Delay
509
57: Stereo/Crossdelay
510
58: Stereo Multitap Delay
512
59: Stereo Modulation Delay
514
60: Stereo Dynamic Delay
516
61: Stereo Auto Panning Delay
518
62: Tape Echo
520
63: Auto Reverse
522
64: Sequence BPM Delay
524
65: L/C/R BPM Delay
525
66: Stereo BPM Delay
527
67: Stereo BPM Multi Tap Delay
529
68: Stereo BPM Modulation Delay
531
69: Stereo BPM Auto Panning Delay
533
70: Tape Echo BPM
535
71: Reverb Hall
538
72: Reverb Smoothhall
538
74: Reverb Dry Plate
538
Reverb and Early Reflections (Reverb ER)
538
75: Reverb Room
539
76: Reverb Brightroom
540
77: Early Reflections
541
78: Parametric 4-Band EQ - Exciter
543
Mono-Mono Serial (Mono-Mono)
543
79: Parametric 4-Band EQ - Wah/Auto Wah
544
80: Parametric 4-Band EQ - Chorus/Flanger
546
81: Parametric 4-Band EQ - Phaser
547
82: Parametric 4-Band EQ - Multitap Delay
549
83: Compressor - Wah/Auto Wah
550
84: Compressor - Amp Simulation
552
85: Compressor - Overdrive/Hi.gain
553
86: Compressor - Parametric 4-Band EQ
554
87: Compressor - Chorus/Flanger
555
88: Compressor - Phaser
557
89: Compressor - Multitap Delay
558
90: Limiter - Parametric 4-Band EQ
560
91: Limiter - Chorus/Flanger
562
92: Limiter - Phaser
563
93: Limiter - Multitap Delay
564
94: Exciter -Compressor
566
95: Exciter - Limiter
567
96: Exciter - Chorus/Flanger
568
97: Exciter - Phaser
569
98: Exciter - Multitap Delay
570
99: Overdrive/Hi.gain - Amp Simulation
571
100: Overdrive/Hi.gain - Chorus/Flanger
573
101: Overdrive/Hi.gain - Phaser
574
102: Overdrive/Hi.gain - Multitap Delay
576
103: Wah - Amp Simulation
578
104: Decimator - Amp Simulation
579
105: Decimator - Compressor
580
106: Amp Simulation- Tremolo
581
107: Chorus/Flanger - Multitap Delay
582
108: Phaser - Chorus/Flanger
583
109: Reverb - Gate
585
Double Size
587
110: Stereo Mltband Limiter
587
111: Pianobody/Damper Simulation
588
112: Overdrive/Hyper Gain Wah
589
113: Guitar Amp Model + Parametric 4-Band EQ
591
114: Bass Tube Amp Model + Cabinet
594
115: Stereo MIC Modeling + Preamp
595
116: Multitap Chorus/Delay
596
117: Stereo Pitch Shifter
598
118: Stereo Pitch Shifter BPM
600
119: Rotary Speaker Overdrive
602
120: L/C/R Long Delay
604
121: Stereo/Cross Long Delay
605
122: Hold Delay
606
123: LCR BPM Long Dly
610
124: Stereo BPM Long Delay
612
125: Early Reflections
614
Accessing the Limiter
615
Choosing a Limiter Preset
615
Turning the Limiter on or off
615
Limiter, Master EQ
615
Checking the Limiter Action
616
Saving a Limiter Preset
617
Master EQ
618
Accessing the Master EQ
618
Choosing an EQ Preset
618
Programming the Master EQ
618
Checking the EQ Effect
619
Saving a Master EQ Preset
620
Global Settings, Preferences
621
Global Settings, Preferences
623
Customizing the User Interface
623
Colors and Language
623
Choosing the Chords and Keyboard Language
623
Customizing the Display Colors
624
Program Change and Activity Indicators
625
Showing/Hiding the Program Change Number
625
Showing/Hiding the Track’s Activity
626
Auto Selection and Locking
627
Automatically Choosing Styles and Performances
627
Automatically Selecting the Styles
627
Automatically Selecting the Performances
628
Locking Parameters to Prevent Changes
629
Locking the Tuning Parameters
629
Locking the Control Parameters
630
Locking the Style Parameters
631
System Preferences
632
Setting the Date and Time for File Saving
632
Automatic Power off
633
Mode Preferences
634
Style Play Preferences
634
Choosing the Memory Mode
634
Bass and Lower Backing
635
Song Play and Sequencer Preferences
636
Choosing the Melody Track
636
Choosing the Drum and Bass Tracks
636
Letting a MIDI Song Start Immediately
637
Media and File Preferences
638
Protecting the Media
638
Protecting the Global Preferences from Changing
638
Removing Protection from Factory Styles (and Factory Stss)
639
Hiding Unknown Files
639
Seeing the File’s Size and Date
639
Controllers
640
Programming the Joystick
640
Assigning the Joystick to the Sounds
640
Assigning Function to the Joystick
641
Setting the Pitch Bend Range
641
Setting the Velocity Curve
642
Programming the Pedal/Footswitch
643
Assigning a Function to the Pedal/Footswitch
643
Functions Assignable to a Footswitch
644
Functions Assignable to a Pedal
646
Assigning the Damper Pedal to the Sounds
646
Assigning the Expression Pedal to the Sounds
646
Calibrating the Pedal and Setting Its Polarity
647
Master Transpose and Tuning
649
Transposing the Whole Instrument
650
Transposing MP3 Songs
650
Master Transpose
650
MIDI Songs and Master Transpose
651
Saving Master Transpose with the Song
651
Preventing Unwanted Transposition
651
When Is Master Transpose Applied?
651
Apply Master Transpose to the Player and MIDI in Notes
652
Master Transpose and Scale
653
MIDI Songs and Chord Transpose
654
Drum Kits and Transpose
654
Main Scale
655
Choosing the Main Scale
655
Scales List
656
Sub-Scale
657
Choosing a Sub-Scale
657
Choosing and Editing the User Sub-Scale
659
Editing a Quarter Tone Sub-Scale (SC Preset)
660
Using the Quarter Tone Sub-Scales (SC Presets)
662
Activating the Quarter Tone Function by Using a Footswitch
664
Choosing an SC Preset by Using a Footswitch
664
MIDI Connections
667
Introduction to MIDI
667
Ports, Channels, Messages
667
What Is MIDI?
667
Tempo
668
Lyrics
668
MIDI Standards
669
Standard MIDI Files
669
The General MIDI Standard
669
Special MIDI Channels
670
The Global Channel
670
The Control Channel
670
Quick Settings Using MIDI Presets
671
Choosing a MIDI Preset
671
Editing the MIDI Presets
673
Saving a MIDI Preset
673
MIDI Communication Settings
675
Connecting the Keyboard to the Internal or External Sounds
675
Receiving Notes as RX Noises
676
Transposing Received Notes
676
Applying Master and Octave Transposition to Received Notes
676
Applying Octave Transposition to Received Notes
677
Playing Muted Tracks Via MIDI
678
Choosing a Fixed Velocity Value
679
Synchronizing Tempo with Other Instruments
680
MIDI Clock in Song Play Mode
680
Sending the MIDI Clock
680
Receiving the MIDI Clock
681
Programming the MIDI Channels
682
Programming the MIDI out Channels
683
Filtering out MIDI Messages
684
Installing the Korg USB MIDI Driver
685
KORG USB-MIDI Driver System Requirements
685
Installing the KORG USB-MIDI Driver on a Windows PC
685
Copyright Notice
685
Driver Ports
686
Installing the KORG USB-MIDI Driver on Mac os X
686
Connecting Havian 30 to a Personal Computer or Tablet
687
Connections and Settings
687
The Sounds
687
Control Change Messages
688
Controlling the Styles and Player Via MIDI
691
Style and Player Controls
691
Single Touch Settings (STS)
691
Style Elements
691
Managing Files
695
Overview on File Management
695
Media Page Structure
695
Browsing through the Files
695
Selecting and Deselecting Files
696
Changing the List View
696
Current Path
696
Selecting a Storage Device (Drive)
696
Types of Files
697
Supported Device
697
Ordinary Data and Reserved Data
698
Media Structure
699
Loading Musical Resources and Settings
700
Loading Files or Folders
700
Loading a SET Folder
701
Loading a Type of Data
701
Loading a Bank
701
Loading Global Data from Pa-Series Instruments
702
Loading Data from Pa-Series Instruments
702
Loading Data from I-Series Instruments
703
Merging Data
704
Saving Musical Resources and Settings
705
Saving Files or Folders
705
Copying Files and Folders
709
Overwriting Existing Files or Folders
711
Deleting Files and Folders
712
Selecting more Items at Once
713
Formatting Storage Devices
715
Backing up and Restoring Musical Resources
717
Restoring the Original Musical Resources
720
Connecting the Internal Drive to a Personal Computer
721
Storage Device Management
723
Creating Folders
723
Renaming Files or Folders
723
Getting Information on the Selected Items
724
Getting Information on the Selected Device, and Changing Its Name
725
Protecting Files and Folders
726
Exporting Playlists
727
Exporting a List of Songs as a Text File
727
Exporting a List of Songs Contained in a Folder
727
Exporting a Jukebox List
728
Exporting a Songbook Book List or Custom List
729
Reading the Text File on a Personal Computer
729
Care of Storage Devices
730
Internal Memory Write Protection
730
Precautions
730
Possible Issues
730
Appendix
731
Musical Resources
733
Styles
734
Performances
739
Sounds and Drum Kits (Bank Order)
742
Sounds (Program Change Order)
760
Drum Kits
776
Multisamples
778
Drum Samples
784
Recognized Chords
799
Shift Functions
801
Shortcuts
801
Long Keypress
802
Special Functions
803
Troubleshooting
804
Specs
806
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Korg HAVIAN 30 Specifications
General
Brand
Korg
Model
HAVIAN 30
Category
Musical Instrument
Language
English
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